工有品   匠致远

蜡像的表现形式

2020-12-03 14:35

蜡像的表现形式:

The forms of waxwork are as follows:

立体造型中讲的是三维空间,近来有提出了立体的多维性,这个多维性的表现是多方面的,艺术造型中的“神气”是多维性的一点。蜡像人物所表现的神气就是精神,气质,情操,修养,经历的再现,这就是内在的个性,另外就是人物的生理特征,如:血型,性格,脾气等。这些都浓缩在蜡像作品中,通过外在的形象反映出来,有时这些精神表现只能是意会的,是心灵的沟通,是通过第六感官去洞察和体会得。

Three dimensional modeling refers to three-dimensional space. Recently, it has been put forward that three-dimensional multi-dimensional is manifested in many aspects. The "spirit" in artistic modeling is a point of multi-dimensional. The expression of wax figures is the representation of spirit, temperament, sentiment, cultivation and experience, which is the internal personality. In addition, it is the physiological characteristics of the characters, such as blood type, personality, temper, etc. These are concentrated in the wax work, reflected through the external image, sometimes these spiritual expression can only be understood, is the spiritual communication, is through the sixth sense organ to insight and experience.

蜡像人物创作有其特殊性。它首先强调对象的典型性,这包括“型”和“神”两个方面的关系,形存侧神存,形调侧神灭,蜡像创作应当是形在前,神在后,形是基础,神依附于形,形和神是事物的两方面,关键是神和形之间关系是否处理恰当,只要处理好形与神的关系才能达到完美的境地。

Wax figure creation has its particularity. It first emphasizes the typicality of the object, which includes the relationship between "form" and "spirit". The form exists while the spirit exists, while the form and tone lose the spirit. The wax figure creation should be the form in front, the God in the back, the form is the foundation, and the God is attached to the form. The key is whether the relationship between the God and the God is properly handled. Only by properly handling the relationship between the form and the God, can the perfect situation be achieved 。

蜡像创作中,多数是表现对象的微妙的表情和动态,这样才能充分发挥蜡像的特殊语言,增肌他的真实感和“欺骗性”,尤其是细微的脸部表情所流露的内心表现,蜡像才可以栩栩如生的表现出来。

In the creation of wax figures, most of them are to express the subtle expressions and movements of the objects, so as to give full play to the special language of the wax figure, enhance his sense of reality and "deception", especially the inner expression revealed by the subtle facial expression, so that the wax figure can be vividly expressed.